The Borderlands (2013) Revisited
Ellis Reed returns to the 2013 British horror classic The Borderlands, a found footage film bringing fresh ideas (and scares) to the sub-genre…
Here, you’ll find writing including articles, essays, analyses, retrospectives, insights and love letters to everything British horror film…
Ellis Reed returns to the 2013 British horror classic The Borderlands, a found footage film bringing fresh ideas (and scares) to the sub-genre…
Graham Williamson looks at the career of the great Tom Baker, including his tenure as the Doctor…
James Fleming unpacks the alienating experience of Robin Hardy’s 1973 folk horror classic, The Wicker Man…
In this in-depth essay on the work of José Ramón Larraz, Paul Lewis explores the director’s work, focusing on his early films made in 1970s Britain…
Jae Prowse heads back to 1980s Britain to look at the troubled production of much-derided festive slasher, Don’t Open Till Christmas…
Blurring the line between hero and villain, monster and human. Emma Louise Platt examines the gendered duality of 2005’s The Descent….
Slaughter High was Britain’s answer to the influx of US-made slashers during the 1980s, but was it actually any good? Chris Andrews goes behind the mask…
Graham Williamson digs into the 2021 adaptation of the Arthurian legend…
Jane Nightshade revisits Eye of the Devil: an early, often overlooked example of folk horror cinema…
Matt Rogerson asks: is Edgar Wright’s surreal psych-horror Last Night in Soho a love letter to Swinging Sixties’ London or a celebration of the giallo?