[Review] The Show (2020)
Ellis Reed reviews The Show, Alan Moore’s screenwriting début, from the 2021 Arrow Video FrightFest. Mitch Jenkins directs…
[Review] The Villa and The Vortex
William Brown reviews The Villa and The Vortex, an ‘exquisite’ new collection of Elinor Mordaunt’s classic weird fiction from Handheld Press…
EXCLUSIVE COVER REVEAL AND EXCERPT: ALL THE WHITE SPACES BY ALLY WILKES
We’re excited to reveal the cover and share an exclusive excerpt from All the White Spaces by Ally Wilkes, Horrified’s own Book Reviews Editor!
Digging Through Horror on the London Underground
In a companion piece to her absorbing exploration of The Thames and the horror film, Lauren Jane Barnett essays how London and its underground system are deeply intertwined, in life and cinema, from Quatermass and the Pit to Death Line and beyond…
[Review] Beneath the Trees (2019)
Mark Anthony Ayling reviews Beneath the Trees by Marco De Luca, which is now available to stream through the Sky Store and Amazon Prime…
Shadow Service by Cavan Scott & Corin M. Howell
Paul Gorman thoroughly enjoys Shadow Service, a ‘fast, gruesome, erudite and funny’ supernatural spy horror comic from Cavan Scott & Corin M. Howell…
Fear Of Fulchester: The Horrors of TV’s Crown Court
Ivan Kirby looks back at ITV drama, Crown Court, a perennial of 1970s/80s daytime television programming that – in pursuit of justice – often featured horror-inflected episodes…
[Review] The Midwife (2021)
Ellis Reed reviews The Midwife, a chilling indie horror by Ryan Gage and Marta Baidek, which recently appeared on Amazon Prime…
Howling with Laughter and Fear: 40 Years of An American Werewolf in London (1981)
Dean Newman offers his thoughts on the seminal lycanthrope film, An American Werewolf in London (1981) which celebrates its 40th anniversary this month…