{"id":125429,"date":"2023-02-21T16:50:08","date_gmt":"2023-02-21T16:50:08","guid":{"rendered":"https:\/\/www.horrifiedmagazine.co.uk\/?p=125429"},"modified":"2023-09-26T08:16:49","modified_gmt":"2023-09-26T08:16:49","slug":"top-50-british-horror-films","status":"publish","type":"post","link":"https:\/\/www.horrifiedmagazine.co.uk\/film\/top-50-british-horror-films\/","title":{"rendered":"Top 50 British horror films"},"content":{"rendered":"\t\t
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Top 50 British horror films<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Top 50 British horror films<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Readers of Horrified have come together to choose their favourite British horror films, so here is the ultimate top 50 list of British horror films, as chosen by you….\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Prevenge<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2016 \/ Alice Lowe<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Prevenge is a wonderfully original tale with the perfect balance of horror and humour. You\u2019ll find yourself wincing, crying and laughing in equal measure; strange bedfellows yes, but within Prevenge this tone works beautifully.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Following the passing of her partner in a climbing accident, pregnant widow, Ruth, begins to enact revenge on those she deems responsible for his death, seemingly at the behest of her unborn child…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Alice Lowe<\/b> as Ruth
Jo Hartley<\/b> as the Midwife
Gemma Whelan<\/b> as Len
Kate Dickie<\/b> as Ella
Kayvan Novak<\/b> as Tom
Tom Davis<\/b> as DJ Dan
Dan Renton Skinner<\/b> as Mr Zabek
Mike Wozniak<\/b> as Josh
Tom Meeten<\/b> as Zac<\/p>

Screenplay by<\/strong> Alice Lowe
Produced by<\/strong> Vaughn Sivell, Jennifer Handorf & Will Kane
Cinematography by<\/strong> Ryan Eddleston
Edited by<\/strong> Matteo Bini
Music by<\/strong> Toydrum<\/p>

Production companies:<\/strong>
Western Edge Pictures, Gennaker Group, Film Cymru Wales<\/p>

UK release date: <\/b>10 February 2017\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Escaping to the countryside to spend some time alone following a tragic incident, a widow discovers the village’s unsettlingly similar menfolk are just the beginning of her torment…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jessie Buckley<\/strong> as Harper Marlowe
Rory Kinnear<\/strong> as Geoffrey
Zak Rothera-Oxley<\/strong> as Samuel
Paapa Essiedu<\/strong> as James Marlowe
Gayle Ranki<\/strong>n as Riley
Sarah Twomey<\/strong> as Frieda
Sonoya Mizuno<\/strong> as Police operator<\/p>

Written by<\/strong> Alex Garland
Produced by<\/strong> Andrew Macdonald & Allon Reich
Cinematography by<\/strong> Rob Hardy
Edited by<\/strong> Jake Roberts
Music by<\/strong> Ben Salisbury & Geoff Barrow<\/p>

Production company:<\/b> DNA Films<\/p>

UK release date: <\/b>1 June 2022<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Men<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2022 \/ Alex Garland<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The menacing energy Rory Kinnear brings to the titular men soaks the entire runtime with an uneasiness that's familiar to anyone who's crossed the street at night to avoid a shadowy figure. The thematic reveals and the pay off at the end of the film are grotesque in the best way and the flexibility of truth throughout makes for a surprisingly reflective film..'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sightseers<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2012 \/ Ben Wheatley<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Taking his new girlfriend, Tina, on a caravan touring holiday, aspiring writer, Chris, kicks things off with a trip to Crich Tram Museum. From there, things turn progressively bloody…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Steve Oram<\/strong> as Chris
Alice Lowe<\/strong> as Tina
Eileen Davies<\/strong> as Carol<\/p>

Written by<\/strong> Alice Lowe & Steve Oram
Produced by<\/strong> Nira Park, Claire Jones & Andrew Starke
Cinematography by<\/strong> Laurie Rose
Edited by<\/strong> Amy Jump, Ben Wheatley & Robin Hill
Music by<\/strong> Jim Williams<\/p>

Production companies:<\/strong>
StudioCanal, Big Talk Pictures, Film4 Productions, BFI Film Fund, Rook Films<\/p>

UK release date: <\/b>30 November 2012\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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An aspiring fashion designer experiences vivid dreams of Swinging Sixties London, both exciting and increasingly terrifying, that begin to bleed into her waking life…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Thomasin McKenzie<\/strong> as Eloise ‘Ellie’ Turner
Anya Taylor-Joy<\/strong> as Alexandra ‘Sandie’ Collins
Matt Smith<\/strong> as Jack
Diana Rigg<\/strong> as Ms Collins
Rita Tushingham<\/strong> as Peggy
Michael Ajao<\/strong> as John
Terence Stamp<\/strong> as Silver Haired Gentleman<\/p>

Screenplay by<\/strong> Edgar Wright & Krysty Wilson-Cairns
Story by<\/strong> Edgar Wright
Produced by<\/strong> Nira Park, Tim Bevan, Eric Fellner & Edgar Wright
Cinematography by<\/strong> Chung-hoon Chung
Edited by<\/strong> Paul Machliss
Music by<\/strong> Steven Price<\/p>

Production companies:<\/strong>
Film4 Productions, Perfect World Pictures, Working Title Films, Complete Fiction Pictures<\/p>

UK release date: <\/b>29 October 2021<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Horrified's essay on Last Night in Soho<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Last Night in Soho<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021 \/ Edgar Wright<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Edgar Wright creates a stunning love letter to London\u2019s Soho and the 60s of nightclubs and gangsters. Worth seeing for the fantastically realised nightclub mirror sequence alone, but stay for the emotional time travelling narrative, with great performances from this generation\u2019s British acting talent, ably supported from icons from the past.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Quatermass Xperiment<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1955 \/ Val Guest<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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After a crash landing, the only surviving crew member of an experimental rocket ship sent to outer space begins to exhibit a strange and dangerous physical and mental condition, leading Professor Bernard Quatermass to theorise the pilot has been inhabited by an alien life-form, endangering the entire planet…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Brian Donlevy<\/strong> as Prof. Bernard Quatermass
Richard Wordsworth<\/strong> as Victor Carroon
Jack Warner<\/strong> as Inspector Lomax
David King-Wood<\/strong> as Dr. Gordon Briscoe
Margia Dean<\/strong> as Mrs. Judith Carroon
Maurice Kaufmann<\/strong> as Marsh<\/p>

Screenplay by<\/strong> Richard Landau & Val Guest,
based on The Quatermass Experiment<\/em> by Nigel Kneale
Produced by<\/strong> Anthony Hinds
Cinematography by<\/strong> Walter J. Harvey
Edited by<\/strong> James Needs
Music by<\/strong> James Bernard<\/p>

Production company:<\/strong> Hammer Films Productions<\/p>

UK release date: <\/b>26 August 1955\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Lost in old catacombs and separated from the main tourist group, five strangers meet a sinister crypt keeper, who tell tells each of the fate that may befall them…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Joan Collins<\/strong> as Joanne Clayton
Peter Cushing<\/strong> as Arthur Grimsdyke
Roy Dotrice<\/strong> as Charles Gregory
Richard Greene<\/strong> as Ralph Jason
Ian Hendry<\/strong> as Carl Maitland
Patrick Magee<\/strong> as George Carter
Barbara Murray<\/strong> as Enid Jason
Nigel Patrick<\/strong> as Major William Rogers
Robin Phillips<\/strong> as James Elliot
Ralph Richardson<\/strong> as The Crypt Keeper<\/p>

Screenplay by<\/strong> Milton Subotsky, based on Tales from the Crypt<\/em> & The Vault of Horror <\/em>by Al Feldstein, Johnny Craig & Bill Gaines
Produced by<\/strong> Milton Subotsky & Max Rosenberg
Cinematography by<\/strong> Norman Warwick
Edited by<\/strong> Teddy Darvas
Music by<\/strong> Douglas Gamley<\/p>

Production companies:<\/strong>
Amicus Productions,
Metromedia Producers Corporation<\/p>

UK release date: <\/b>8 March 1972<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tales from the Crypt<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1972 \/ Freddie Francis<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'I find this quite difficult to watch. It\u2019s made it into my list because of the Peter Cushing segment 'Poetic Justice'. He\u2019s simply heartbreaking to watch as his neighbours systematically ruin his life - I cry every time.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Lair of the White Worm<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1988 \/ Ken Russell<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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While excavating a convent site, archaeologist Angus Flint discovers a strange skull he believes belongs to the mythical D’Ampton Worm. When he subsequently finds a watch belonging to a missing man, last seen near the stately home of Lady Sylvia Marsh, Angus begins to believe the legend may be true…\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Hugh Grant<\/strong> as Lord James D’Ampton
Amanda Donohoe<\/strong> as Lady Sylvia Marsh
Catherine Oxenberg<\/strong> as Eve Trent
Peter Capaldi<\/strong> as Angus Flint
Sammi Davis<\/strong> as Mary Trent
Stratford Johns<\/strong> as Peters<\/p>

Screenplay by<\/strong> Ken Russell, based on The Lair of the White Worm <\/em>by Bram Stoker
Produced by<\/strong> Ken Russell
Cinematography<\/strong> by Dick Bush
Edited by<\/strong> Peter Davies
Music by<\/strong> Stanislas Syrewicz<\/p>

Production company:<\/strong> White Lair<\/p>

UK release date: <\/b>14 September 1988<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A wandering man enters the lives of a couple living in rural Devon and begins to unsettle their isolated existence with claims of magic learned from an Aboriginal shamen, including a shout that can kill anyone who hears it…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Alan Bates<\/strong> as Crossley
Susannah York<\/strong> as Rachel Fielding
John Hurt<\/strong> as Anthony Fielding
Robert Stephens<\/strong> as Chief Medical Officer
Tim Curry<\/strong> as Robert Graves<\/p>

Screenplay by<\/strong> Jerzy Skolimowski &
Michael Austin from a story by Robert Graves
Produced by<\/strong> Jeremy Thomas
Cinematography by<\/strong> Mike Molloy
Edited by<\/strong> Barrie Vince
Music by<\/strong> Tony Banks<\/p>

Production company:<\/strong>
Recorded Picture Company<\/p>

UK release date: <\/b>16 June 1978<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Shout<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1978 \/ Jerzy Skolimowski<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'This wild ride of suffocating unease doesn't get nearly enough attention. Alan Bates is excellent as the towering, dark figure, Crossley. As soon as Crossley sinks his claws into Anthony and Rachel, there is no redemption. It's a film that sucks the hope out of you. Anthony may get moments of relief, but the viewer does not. There have been plenty of 'mysterious stranger' plots since this film's release, but this, for my money, is still the best.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Medusa Touch<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1978 \/ jack Gold<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A French detective is assigned to investigate the murder of a novelist, but having found him alive decides to reconstruct his story via journals and the help of a psychiatrist…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Richard Burton<\/strong> as John Morlar
Lino Ventura<\/strong> as Brunel
Lee Remick<\/strong> as Zonfeld
Harry Andrews<\/strong> as Assistant Commissioner<\/p>

Written by<\/strong> John Briley, based on The Medusa Touch <\/em>by Peter Van Greenaway
Produced by<\/strong> Anne V. Coates,
Jack Gold & Arnon Milchan
Cinematography by<\/strong> Arthur Ibbetson
Edited by<\/strong> Anne V. Coates & Ian Crafford
Music by<\/strong> Michael J. Lewis<\/p>

Production companies:<\/strong>
Coatesgold, ITC Entertainment, Bulldog, Citeca Productions<\/p>

UK release date: <\/b>7 April 1978<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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While screening an old horror film, a British film censor\u00a0discovers similarities between the story and her memory of the disappearance of her sister. As she investigates further, more than just the mystery begin to unravel…<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Niamh Algar<\/strong> as Enid Baines
Nicholas Burns<\/strong> as Sanderson
Vincent Franklin<\/strong> as Fraser
Sophia La Porta<\/strong> as Alice Lee \/ ‘Nina Baines’
Adrian Schiller<\/strong> as Frederick North
Michael Smiley<\/strong> as Doug Smart<\/p>

Written by<\/b> Prano Bailey-Bond & Anthony Fletcher
Produced by<\/b> Helen Jones
Cinematography by<\/b> Annika Summerson
Edited by <\/b>Mark Towns
Music by<\/b> Emilie Levienaise-Farrouch<\/p>

Production companies:<\/strong>
Silver Salt Films, BFI Film Fund, Film4, Ffilm Cymru Wales<\/p>

UK release date: <\/b>20 August 2021<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Censor<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021 \/ Prano Bailey-Bond<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'For a film to take on such an interesting period for horror films and use that to spin its own narrative is really interesting. The play with format as the film progresses is inspired and while I think some were disappointed this wasn't a more in-depth exploration of the video nasty era as a whole, Niamh Algar's performance is so stunning that you're instantly drawn into Enid's world.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Asylum<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1972 \/ Roy Ward Baker<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Doctor Martin attends a job interview at an insane asylum where he is informed that to be successful he must interview the inmates to ascertain which is Dr. Starr, the former head doctor who suffered a nervous breakdown…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peter Cushing<\/strong> as Mr Smith
Britt Ekland<\/strong> as Lucy
Robert Powell<\/strong> as Dr Martin
Herbert Lom<\/strong> as Dr Byron
Barry Morse<\/strong> as Bruno
Patrick Magee<\/strong> as Lionel Rutherford<\/p>

Written by<\/strong> Robert Bloch
Produced by<\/strong> Max Rosenberg & Milton Subotsky
Cinematography by<\/strong> Denys N. Coop
Edited by<\/strong> Peter Tanner
Music by<\/strong> Douglas Gamley<\/p>

Production companies:<\/strong> Amicus Productions, Harbor Productions<\/p>

UK release date: <\/b>17 November 1972<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Baron Victor Frankenstein succeeds in creating a creature assembled from body parts, but discovers he has built not a docile, subservient creature but a violent and psychotic monster…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peter Cushing<\/strong> as Baron Victor Frankenstein
Hazel Court<\/strong> as Elizabeth
Robert Urquhart<\/strong> as Paul Krempe
Christopher Lee<\/strong> as The Creature<\/p>

Screenplay by<\/strong> Jimmy Sangster, based on the novel Frankenstein\u00a0<\/em>by Mary Shelley
Produced by<\/strong> Anthony Hinds
Cinematography by<\/strong> Jack Asher
Edited by<\/strong> James Needs
Music by<\/strong> James Bernard<\/p>

Production company:<\/strong> Hammer Films Productions<\/p>

UK release date: <\/b>20 May 1957<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Curse of Frankenstein<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1957 \/ Terence Fisher<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'It gave the world Cushing and Lee, in a glorious gothic world of Eastman colour. If you haven't looked beyond the films of Hammer, the stars appeared, not only on the screen, but built the gothic world behind it. Fisher, Robinson, Asher, Bernard, Sangster to name just some of the talent that made this icon of horror.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Witches<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1966 \/ Cyril Frankel<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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While performing missionary work in Africa, Gwen Mayfield suffers a nervous breakdown following an attack by witch-doctors. On her return to England, Gwen begins teaching at a private school which leads her to investigate rumours surrounding witchcraft and cult…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Joan Fontaine<\/strong> as Gwen Mayfield
Kay Walsh<\/strong> as Stephanie Bax
Alec McCowen<\/strong> as Alan Bax
Ann Bell<\/strong> as Sally Benson
Ingrid Boulting<\/strong> (Brett) as Linda Rigg<\/p>

Written by<\/strong> Nigel Kneale, based on The Devil’s Own<\/em> by Norah Lofts
Produced by<\/strong> Anthony Nelson Keys
Cinematography by<\/strong> Arthur Grant
Edited by<\/strong> Chris Barnes & James Needs
Music by<\/strong> Richard Rodney Bennett<\/p>

Production companies:<\/strong> Hammer Films Productions, Seven Arts Productions<\/p>

UK release date: <\/b>21 November 1966<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A mysterious, fortune-telling doctor predicts the deaths of five fellow passengers on a train via a pack of tarot cards…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peter Cushing<\/strong> as Dr Schrek
Christopher Lee<\/strong> as Franklyn Marsh
Max Adrian<\/strong> as Dr Blake
Ann Bell<\/strong> as Ann Rogers
Peter Madden<\/strong> as Caleb
Donald Sutherland<\/strong> as Dr Bob Carroll
Roy Castle<\/strong> as Biff Bailey
Kenny Lynch<\/strong> as Sammy Coin<\/p>

Written by<\/strong> Milton Subotsky
Produced by<\/strong> Max Rosenberg & Milton Subotsky
Cinematography by<\/strong> Alan Hume
Edited by<\/strong> Thelma Connell
Music by<\/strong> Elisabeth Lutyens<\/p>

Production company:<\/strong> Amicus Productions<\/p>

UK release date: <\/b>23 February 1965<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Dr Terror's House of Horrors<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1965 \/ Freddie Francis<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Show me another horror film with Roy Castle and Kenny Lynch. You can't. An undeniable classic with a cast to die for.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Frenzy<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1972 \/ Alfred Hitchcock<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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There’s a serial killer on the loose in London. So, when ex-Royal Air Force officer Richard Blaney discovers his ex-wife murdered he immediately becomes a suspect. Taking refuge with his best friend, Bob Rusk, Blaney starts to suspect Rusk may be the killer. Or is he?<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Jon Finch<\/strong> as Richard Ian ‘Dick’ Blaney
Alec McCowen<\/strong> as Chief Inspector Timothy Oxford
Barry Foster<\/strong> as Robert ‘Bob’ Rusk
Billie Whitelaw<\/strong> as Hetty Porter
Anna Massey<\/strong> as Barbara Jane ‘Babs’ Milligan
Barbara Leigh-Hunt<\/strong> as Brenda Margaret Blaney<\/p>

Written by<\/strong> Anthony Shaffer, based on Goodbye Piccadilly, Farewell Leicester Square<\/em> by Arthur La Bern
Produced by<\/strong> Alfred Hitchcock
Cinematography by<\/strong> Gilbert Taylor &
Leonard J. South
Edited by<\/strong> John Jympson
Music by<\/strong> Ron Goodwin<\/p>

Production company:<\/strong> Alfred J. Hitchcock Productions<\/p>

UK release date: <\/b>25 May 1972<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Horrified's essay on Frenzy<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A mysterious plague epidemic is wiping out the inhabitants of a Cornish village. A medical professor and his daughter discover a link between the spate of deaths and the village squire’s interest in voodoo…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Andr\u00e9 Morell<\/strong> as Sir James Forbes
Diane Clare<\/strong> as Sylvia Forbes
Brook Williams<\/strong> as Dr Peter Tompson
Jacqueline Pearce<\/strong> as Alice Mary Tompson
John Carson<\/strong> as Squire Clive Hamilton
Alexander Davion<\/strong> as Denver (as Alex Davion)
Michael Ripper<\/strong> as Sergeant Jack Swift<\/p>

Written by<\/strong> Peter Bryan
Produced by<\/strong> Anthony Nelson Keys
Cinematography by<\/strong> Arthur Grant
Edited by<\/strong> Chris Barnes
Music by<\/strong> James Bernard<\/p>

Production company:<\/strong> Hammer Films Productions, Seven Arts<\/p>

UK release date: <\/b>3 January 1966<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The Plague of the Zombies<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1966 \/ John Gilling<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Zombies as a class war in the Cornish countryside. The resurrection sequence. Relatively underwatched classic'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Devils<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1971 \/ Ken Russell<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Ken Russell\u2019s look at how the church and the state fuse together to pervert the faith that they claim to serve to hold power over people. The stark blacks, whites and greys of Derick Jarman\u2019s sets only make the colours and naked flesh stand out more in the lead up to the tragic climax.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In 17th-century France, an unorthodox and popular priest, Urbain Grandier, is given control of the town of Loudon. However, Sister Jeanne des Anges’ unrequieted sexual obsession with the priest leads to an accusation of witchcraft and devil-dealing. A professional witch hunter is called to Loudon to extract the truth…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Oliver Reed<\/strong> as Father Urbain Grandier
Vanessa Redgrave<\/strong> as Sister Jeanne des Anges
Dudley Sutton<\/strong> as the Baron de Laubardemont
Max Adrian<\/strong> as Ibert
Gemma Jones<\/strong> as Madeleine de Brou
Murray Melvin<\/strong> as Father-Canon Jean Mignon
Michael Gothard<\/strong> as Father Pierre Barre<\/p>

Screenplay by<\/strong> Ken Russell, based on The Devils <\/em>by John Whiting & The Devils of Loudun<\/em>
by Aldous Huxley
Produced by<\/strong> Robert H. Solo & Ken Russell
Cinematography by<\/strong> David Watkin
Edited by<\/strong> Michael Bradsell
Music by<\/strong> Peter Maxwell Davies<\/p>

Production company:<\/strong> Russo Productions<\/p>

UK release date: <\/b>25 July 1971<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A British sound engineer arrives in Rome to work on an Italian giallo film, but finds the work ushering in\u00a0 decent into madness…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Toby Jones<\/strong> as Gilderoy
Tonia Sotiropoulou<\/strong> as Elena
Susanna Cappellaro<\/strong> as Veronica
Cosimo Fusco<\/strong> as Francesco<\/p>

Written by<\/strong> Peter Strickland & Kephas Leroc
Produced by<\/strong> Mary Burke & Keith Griffiths
Cinematography by<\/strong> Nicholas D. Knowland
Edited by<\/strong> Chris Dickens
Music by<\/strong> Broadcast<\/p>

Production company:<\/strong> UK Film Council, Film4, Warp X, Screen Yorkshire<\/p>

UK release date: <\/b>31 August 2012<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2012 \/ Peter Strickland<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Legend of Hell House<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1973 \/ John Hough<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The Mount Everest of Haunted Houses. You have to include one proper ghost story in a British horror film list so was between The Legend of Hell House, The Innocents or The Haunting. I opted for this as it\u2019s probably the lesser appreciated of the three and I love an underdog. Great unsettling camera work and eerie electronic score create a superb atmosphere aided by a strong ensemble cast.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Belasco House is supposedly haunted by the murdered victims of a previous owner. So, when sceptical scientist Lionel Barrett takes a team, including a spiritualist and psychic medium, to ascertain the existence of the supernatural, they discover whether things really do go bump in the night…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Pamela Franklin<\/strong> as Florence Tanner
Roddy McDowall<\/strong> as Benjamin Franklin Fischer
Clive Revill<\/strong> as Dr Lionel Barrett
Gayle Hunnicutt<\/strong> an Ann Barrett
Roland Culver<\/strong> as Rudolph Deutsch
Peter Bowles<\/strong> as Hanley
Michael Gough<\/strong> as Emeric Belasco<\/p>

Written by<\/strong> Richard Matheson, based on Hell House <\/em>by Richard Matheson
Produced by<\/strong> Albert Fennell & Norman T. Herman
Cinematography by<\/strong> Alan Hume
Edited by<\/strong> Geoffrey Foot
Music by<\/strong> Delia Derbyshire & Brian Hodgson<\/p>

Production company:<\/strong> Academy Pictures Corporation<\/p>

UK release date: <\/b>June 1973<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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During a COVID-related lockdown, six friends alleviate the boredom with a Zoom s\u00e9ance that inadvertently spawns a demonic presence…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Haley Bishop<\/b> as Haley
Jemma Moore<\/b> as Jemma
Emma Louise Webb<\/b> as Emma
Radina Drandova<\/b> as Radina
Caroline Ward<\/b> as Caroline
Edward Linard<\/b> as Teddy
Seylan Baxter<\/b> as Seylan
Jinny Lofthouse<\/b> as Jinny
Alan Emrys<\/b> as Alan
Patrick Ward<\/b> as Caroline’s Dad
James Swanton <\/b>as Jack<\/p>

Written by<\/b> Gemma Hurley, Rob Savage, Jed Shepherd
Produced by<\/b> Douglas Cox, Craig Engler, Emily Gotto, Samuel Zimmerman
Edited by<\/b> Brenna Rangott<\/p>

Production companies:<\/b> Shadowhouse Films, BOO-URNS<\/p>

UK release date: <\/b>30 July 2020<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HOST<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2020 \/ Rob Savage<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The best thing to come out of the covid pandemic. The last thing I wanted to do during lockdown was watch a film set during lockdown, made entirely from a Zoom POV. How wrong I was! Great writing, ruthlessly efficient storytelling, and really fucking scary.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Brilliantly shot, a super effective use of ultra low budget techniques, and less is more. A strong cast allowed to play, and one of the more effective and naturalistic uses of the streaming screen conceit as a framing technique.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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the brides of dracula<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1960 \/ Terence fisher<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A schoolteacher, en-route to take up a position in Transylvania, accidentally releases the vampiric Baron Meister and becomes the object of his dubious affection…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peter Cushing<\/strong> as Doctor Van Helsing
Martita Hunt<\/strong> as Baroness Meinster
Freda Jackson<\/strong> as Greta
Yvonne Monlaur<\/strong> as Marianne<\/p>

Screenplay by<\/strong> Jimmy Sangster, Peter Bryan & Edward Percy
Produced by<\/strong> Anthony Hinds
Cinematography by<\/strong> Jack Asher
Edited by<\/strong> Alfred Cox
Music by<\/strong> Malcolm Williamson<\/p>

Production company:<\/strong> Hammer Film Production<\/p>

UK release date: <\/b>7 July 1960<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Three men, sent by the Vatican to investigate paranormal disturbances at a 13th century church, become increasingly unsettled by their experiences…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gordon Kennedy<\/strong> as Brother Deacon
Aidan McArdle<\/strong> as Father Mark Amidon
Robin Hill<\/strong> as Gray Parker
Luke Neal<\/strong> as Father Crellick
Patrick Godfrey<\/strong> as Father Calvino<\/p>

Written by<\/strong> Elliot Goldner
Produced by<\/strong> Jennifer Handorf & Jezz Vernon
Cinematography by<\/strong> Eben Bolter
Edited by<\/strong> Will Gilbey, Jacob Proctor & Mark Towns<\/p>

Production company:<\/strong> Metrodome Distribution<\/p>

UK release date: <\/b>24 August 2013<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Borderlands<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2013 \/ Elliot Goldner<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Some people don't rate found footage but I've got two in my top ten. Not only is The Borderlands one of the best British horror films, it's one of the best examples of found footage that you'll have the pleasure of watching.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Repulsion<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1965 \/ Roman Polanski<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tThis film is a tour de force, Polanski's most relentlessly, brilliantly, cinematic feature, playing like an expressionist silent film for much of its duration, conjuring an intensifying mood of horror that makes Psycho, by comparison, feel a bit stop-start, a bit of a patchwork of moods and tones that don't quite fit together. This film, by comparison, is as relentlessly perfect in its tone as the deepest nightmare.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tWe're all safe in our own homes, right? Roman Polanski proved that horror didn't have to be in Gothic castles far away, it could be closer than any of us wanted to think. The power of Repulsion is that Carol could be my neighbour, your neighbour, or even ourselves. Deeply unsettling, yet we can never quite bring ourselves to look away.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Catherine Deneuve's performance is sublime. The entropy of the apartment and Carol's sanity is magnificently realised.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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When a withdrawn young women is left alone in a London flat she shares with her sister, she begins to experience harrowing hallucinations…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Catherine Deneuve<\/strong> as Carol Ledoux
Ian Hendry<\/strong> as Michael
John Fraser<\/strong> as Colin
Yvonne Furneaux<\/strong> as Helen Ledoux
Patrick Wymark<\/strong> as landlord<\/p>

Screenplay by<\/strong> Roman Polanski, G\u00e9rard Brach & David Stone
Story by<\/strong> Roman Polanski & G\u00e9rard Brach
Produced by<\/strong> Gene Gutowski
Cinematography by<\/strong> Gilbert Taylor
Edited by<\/strong> Alastair McIntyre
Music by<\/strong> Chico Hamilton<\/p>

Production companies:<\/strong> Compton Films, Tekli British Productions<\/p>

UK release date: <\/b>10 June 1965<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A grieving mother employs an occultist to help summon her guardian angel, whom she wishes to ask to speak with her dead seven-year-old son….<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Steve Oram<\/strong> as Joseph Solomon
Catherine Walker<\/strong> as Sophia Howard
Mark Huberman<\/strong> as Neil Hughes
Susan Loughnane<\/strong> as Victoria Howard
Nathan Vos<\/strong> as Jack<\/p>

Written by<\/strong> Liam Gavin
Produced by<\/strong> David Collins, Tim Dennison & Cormac Fox
Cinematography by<\/strong> Cathal Watters
Edited by<\/strong> Anna Maria O’Flanagan
Music by<\/strong> Ray Harman<\/p>

Production companies:<\/strong> Samson Films, Tall Man Films<\/p>

UK release date: <\/b>7 April 2017<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A Dark Song<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2016 \/ Liam Gavin<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A totally unique film that feels like it could only have been made on these islands. It somehow manages to be an entertaining ordeal that wraps its grubby little hands around the soul and retains its grip long after the film has ended.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A masterful two-hander that avoids easy jump scares and opts for a slow, thoughtful examination of how hope can overcome the human desire for revenge.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Ritual<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2017 \/ David Bruckner<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Masculinity, shame, and friendship sit at the centre of what could have been another cabin in the woods standard. Great performances and the unusual anchoring of the narrative around grief pay off for the arc of the central character and his eventual choices.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Following a tragic death, four friends take a hiking trip to a Swedish forest, where an ancient evil awaits…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rafe Spall<\/strong> as Luke
Arsher Ali<\/strong> as Phil
Robert James-Collier<\/strong> as Hutch
Sam Troughton<\/strong> as Dom<\/p>

Screenplay by<\/strong> Joe Barton, based on The Ritual<\/em> by Adam Nevill
Produced by<\/strong> Jonathan Cavendish & Richard Holmes
Cinematography by<\/strong> Andrew Shulkind
Edited by<\/strong> Mark Towns
Music by<\/strong> Ben Lovett<\/p>

Production company:<\/strong> The Imaginarium<\/p>

UK release date: <\/b>13 October 2017<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Four customers procure items from an antique shop, Temptations Limited, by dubious means and discover a terrible fate…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peter Cushing<\/strong> as The Proprietor
Donald Pleasence<\/strong> as Jim Underwood
Angela Pleasence<\/strong> as Emily Underwood
Ian Bannen<\/strong> as Christopher Lowe
Diana Dors<\/strong> as Mabel Lowe
David Warner<\/strong> as Edward Charlton<\/p>

Written by<\/strong> Raymond Christodoulou & Robin Clarke
Produced by<\/strong> Max Rosenberg & Milton Subotsky
Cinematography by<\/strong> Alan Hume
Edited by<\/strong> John Ireland
Music by<\/strong> Douglas Gamley<\/p>

Production company:<\/strong> Amicus Productions<\/p>

UK release date: <\/b>23 February 1974<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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From Beyond the Grave<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1974 \/ Kevin Connor<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Perhaps the best of Amicus\u2019s portmanteau films, with not a duff tale in this collection (the usual fault with these films is having one filler). Peter Cushing is in fine form, as usual, in the linking narrative; David Warner stars in a great possession tale (which is surprisingly bloody and violent for Amicus); Donald Pleasance gives a fantastic creepy performance together with his daughter; Ian Carmichael and Margaret Leighton are genuinely funny in their story, and finally you have a heroic Ian Ogilvy in a nightmarish tale.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1960 \/ Wolf Rilla<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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When the inhabitants of Midwich awaken after mysteriously falling asleep, it quickly becomes apparent that all the women of childbearing age are pregnant. Several month later, the babies are born, but their striking appearance is not the only thing unusual…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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George Sanders<\/strong> as Gordon Zellaby
Barbara Shelley<\/strong> as Anthea Zellaby
Martin Stephens<\/strong> as David Zellaby
Michael Gwynn<\/strong> as Alan Bernard<\/p>

Screenplay by<\/strong> Stirling Silliphant, Wolf Rilla & Ronald Kinnoch, based on The Midwich Cuckoos<\/em> by John Wyndham
Produced by<\/strong> Ronald Kinnoch
Cinematography by<\/strong> Geoffrey Faithfull
Edited by<\/strong> Gordon Hales
Music by<\/strong> Ron Goodwin<\/p>

Production company:<\/strong> Metro-Goldwyn-Mayer<\/p>

UK release date: <\/b>16 June 1960<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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After their first child is stillborn, the Thorns adopt a child, Damien. As their world begins to unravel, it becomes increasingly clear that Damien may be the Antichrist…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gregory Peck<\/strong> as Robert Thorn
Lee Remick<\/strong> as Katherine Thorn
David Warner<\/strong> as Jennings
Billie Whitelaw<\/strong> as Mrs Baylock
Patrick Troughton<\/strong> as Father Brennan<\/p>

Written by<\/strong> David Seltzer
Produced by<\/strong> Harvey Bernhard
Cinematography by<\/strong> Gilbert Taylor
Edited by<\/strong> Stuart Baird
Music by<\/strong> Jerry Goldsmith<\/p>

Production company:<\/strong> Mace Neufeld Productions<\/p>

UK release date: <\/b>6 June 1976<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1976 \/ Richard Donner<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'I remember this one so well from watching is as a kid on tape. There's such camp, uncanny melodrama here - with the apocalypse taking place amongst London Zoo and a damp looking country house - that it's a perverse joy to watch. The juxtaposition of lurid violence and overblown nonsense, delivered with absolute conviction, works for me. Plus Patrick Troughton and David Warner!'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Company of Wolves<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1984 \/Neil Jordan<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A superb adaptation of Angela Carter\u2019s reworked folk and fairy tales. Stunning production design by the late Anton Furst help to realise Jordan\u2019s dreamlike vision, which layers narratives on top of narratives and dreams within dreams to create a haunting timeless tale of womanhood.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A young girl, Rosaleen, dreams that she lives in a fairytale forest with her parents and sister. When her sister is killed by wolves, Rosaleen heads to stay with her grandmother who offers her a warning never to trust a man whose eyebrows meet…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sarah Patterson<\/strong> as Rosaleen
Angela Lansbury<\/strong> as Granny
David Warner<\/strong> as Father
Tusse Silberg<\/strong> as Mother
Micha Bergese<\/strong> as Huntsman
Brian Glover<\/strong> as Amorous Boy’s father
Stephen Rea<\/strong> as Young Groom<\/p>

Written by<\/strong> Angela Carter & Neil Jordan, based on The Company of Wolves<\/em> by Angela Carter
Produced by<\/strong> Chris Brown & Stephen Woolley
Cinematography by<\/strong> Gilbert Taylor
Edited by<\/strong> Stuart Baird
Music by<\/strong> Jerry Goldsmith
Cinematography by<\/strong> Bryan Loftus
Edited by<\/strong> Rodney Holland
Music by<\/strong> George Fenton<\/p>

Production companies:<\/strong> Palace Pictures, ITC Entertainment<\/p>

UK release date:<\/b>21 September 1984<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Organist Anton Phibes, horribly disfigured in a car accident while trying to reach his sick wife, learns of her death on the operating table and vows revenge against the surgeons he deems responsible…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vincent Price<\/strong> as Dr Anton Phibes
Joseph Cotten<\/strong> as Dr Vesalius
Peter Jeffrey<\/strong> as Inspector Harry Trout
Virginia North<\/strong> as Vulnavia
Hugh Griffith<\/strong> as Rabbi
Terry-Thomas<\/strong> as Dr Longstreet
Caroline Munro<\/strong> as Victoria Regina Phibes<\/p>

Written by<\/strong> William Goldstein, James Whiton & Robert Fuest
Produced by<\/strong> Ronald S. Dunas & Louis M. Heyward
Cinematography by<\/strong> Norman Warwick
Edited by<\/strong> Tristam Cones
Music by<\/strong> Basil Kirchin<\/p>

Production company:<\/strong> American International Pictures<\/p>

UK release date: <\/b>April 1971<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Abominable Dr Phibes<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1971 \/ Robert Fuest<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Not quite Theatre of Blood with jazz but it's a joy throughout.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A Field in England<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2013 \/ Ben Wheatley<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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During the English Civil War, a group of deserters fleeing a battle are captured by an alchemist who forces them to dig for buried treasure…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Reece Shearsmith<\/strong> as Whitehead
Michael Smiley<\/strong> as O’Neill
Peter Ferdinando<\/strong> as Jacob
Richard Glover<\/strong> as Friend
Ryan Pope<\/strong> as Cutler
Julian Barratt<\/strong> as Commander Trower<\/p>

Written by<\/strong> Amy Jump
Produced by<\/strong> Claire Jones & Andrew Starke
Cinematography by<\/strong> Laurie Rose
Edited by<\/strong> Amy Jump & Ben Wheatley
Music by<\/strong> Jim Williams<\/p>

Production companies:<\/strong> Film4, Rook Films<\/p>

UK release date: <\/b>5 July 2013<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A terminal cancer patient is placed in the care of a young nurse whose religious devotion heralds an obsessive quest to save the patient’s soul…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Morfydd Clark<\/strong> as Katie\/Maud
Jennifer Ehle<\/strong> as Amanda K\u00f6hl
Lily Knight<\/strong> as Joy
Lily Frazer<\/strong> as Carol
Turlough Convery<\/strong> as Christian
Rosie Sansom<\/strong> as Ester<\/p>

Written by<\/strong> Rose Glass
Produced by<\/strong> Andrea Cornwell & Oliver Kassman
Cinematography by<\/strong> Ben Fordesman
Edited by<\/strong> Mark Towns
Music by<\/strong> Adam Janota Bzowski<\/p>

Production companies:<\/strong> Film4, British Film Institute, Escape Plan Productions<\/p>

UK release date: <\/b>9 October 2020<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2019 \/ Rose Glass<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A slow burn, small and oh so contained story of fervour, punishment, and psychosis. The building tension and unreliable truth at the core of the narrative pay off with a genuinely shocking ending.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'As a feature debut this is so impressive, marrying religious fervour and mental illness in a way that feels queasy all the way through, evoking the often uncanny nature of the British seaside.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Morfydd Clark is incredible here. Simultaneously evoking the quiet, optimistic naivety of the novice and the cold intensity of the zealot.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Alien<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1979 \/ Ridley Scott<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Yes, it is horror - the haunted house just happens to be in space. Iconic - Not a wasted shot or line of dialogue. Incredible design and sound.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The crew of the commercial starship Nostromo are awakened from their cryo-sleep capsules to answer a distress call from an alien vessel…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Tom Skerritt<\/strong> as Dallas
Sigourney Weaver<\/strong> as Ripley
Veronica Cartwright<\/strong> as Lambert
Harry Dean Stanton<\/strong> as Brett
John Hurt<\/strong> as Kane
Ian Holm<\/strong> as Ash
Yaphet Kotto<\/strong> as Parker<\/p>

Screenplay by<\/strong> Dan O’Bannon
Story by<\/strong> Dan O’Bannon & Ronald Shusett
Produced by<\/strong> Gordon Carroll, David Giler & Walter Hill
Cinematography by<\/strong> Derek Vanlint
Edited by<\/strong> Terry Rawlings & Peter Weatherley
Music by<\/strong> Jerry Goldsmith<\/p>

Production companies:<\/strong> 20th Century Fox, Brandywine Productions<\/p>

UK release date: <\/b>6 September 1979<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A police inspector discovers that descendants of survivors of a cave-in in the early 1900s are eating London underground passengers…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Donald Pleasence<\/strong> as Inspector Calhoun
Norman Rossington<\/strong> as Detective Sergeant Rogers
David Ladd<\/strong> as Alex Campbell
Sharon Gurney<\/strong> as Patricia Wilson
Hugh Armstrong<\/strong> as The Man
Christopher Lee<\/strong> as Stratton-Villiers, MI5<\/p>

Screenplay by<\/strong> Ceri Jones
Story by<\/strong> Gary Sherman
Produced by<\/strong> Paul Maslansky
Cinematography by<\/strong> Alex Thomson
Edited by<\/strong> Geoffrey Foot
Music by<\/strong> Wil Malone<\/p>

Production company:<\/strong> Habor Ventures<\/p>

UK release date: <\/b>17 November 1972<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Death Line<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1972 \/ Gary Sherman<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t 'A brilliantly sleazy, dirty exploration of our cynical modern world and the exploitation it's built on. The cannibals may technically be the bad guys but it's hard not to feel pity for them.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Death Line is powerful, funny and very sad. The 'monsters' here are nothing of the sort, just lost and lonely. The villain, briefly and exquisitely embodied in Christopher Lee, is the Establishment and its attitude towards the lives of the working class, foreigners and anybody without the right tie.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Under The Skin<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2013 \/ Jonathan Glazer<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Sparse but spot-on dialogue. The beach scene is almost too much to be honest. Horrific.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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An extra-terrestrial disguised as a human woman, lures men into a dilapidated house where they follow her into a void and disappear…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Scarlett Johansson<\/strong> as the Female
Jeremy McWilliams<\/strong> as The Bad Man<\/p>

Screenplay by<\/strong> Walter Campbell & Jonathan Glazer, based on Under the Skin<\/em> by Michel Faber
Produced by<\/strong> James Wilson & Nick Wechsler
Cinematography by<\/strong> Daniel Landin
Edited by<\/strong> Paul Watts
Music by<\/strong> Mica Levi<\/p>

Production companies:<\/strong> BFI, Film4, Silver Reel, Creative Scotland, JW Films, FilmNation Entertainment<\/p>

UK release date: <\/b>23 July 2014<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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During the English Civil War, the opportunist witch hunter Matthew Hopkins terrorises East Anglia, extracting confessions of witchcraft by any means necessary…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vincent Price<\/strong> as Matthew Hopkins
Ian Ogilvy<\/strong> as Cornet Richard Marshall
Hilary Dwyer<\/strong> as Sara Lowes
Rupert Davies<\/strong> as John Lowes
Robert Russell<\/strong> as John Stearne
Patrick Wymark<\/strong> as Oliver Cromwell<\/p>

Screenplay by<\/strong> Tom Baker & Michael Reeves, based on Witchfinder General<\/em> by Ronald Bassett
Produced by<\/strong> Louis M. Heyward, Philip Waddilove & Arnold Miller
Cinematography by<\/strong> John Coquillon
Edited by<\/strong> Howard Lanning
Music by<\/strong> Paul Ferris<\/p>

Production company:<\/strong> Tigon British Film Productions<\/p>

UK release date: <\/b>19 May 1968<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Witchfinder General<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1968 \/ Michael Reeves<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Haunting<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1963 \/ Robert Wise<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The Haunting's greatest achievement is the way it captures the maddening architecture of Hill House. As a growing acolyte to the appreciation of spaces in horror films, The Haunting has been a bedrock of my understanding of how to effectively use sets and production to generate atmosphere.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Finest haunted house picture ever, and that's a feat. The film is so ambiguous it almost fools itself into believing it's all in the mind and psychological and that ghosts don't exist. Now that may or not be so. But by its end, one ghost exists in Hill House. And it walks there alone.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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An anthropologist invites takes two specially selected women to Hill House, a reportedly haunted mansion, where one becomes increasingly unstable…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kevin Julie Harris<\/strong> as Eleanor ‘Nell’ Lance
Claire Bloom<\/strong> as Theodora ‘Theo’
Richard Johnson<\/strong> as Dr John Markway
Russ Tamblyn<\/strong> as Luke Sanderson
Fay Compton<\/strong> as Mrs Sanderson
Rosalie Crutchley<\/strong> as Mrs Dudley
Lois Maxwell<\/strong> as Grace Markway
Valentine Dyall<\/strong> as Mr Dudley<\/p>

Screenplay by<\/strong> Nelson Gidding, based on The Haunting of Hill House <\/em>by Shirley Jackson
Produced by<\/strong> Robert Wise
Cinematography by<\/strong> Davis Boulton
Edited by<\/strong> Ernest Walter
Music by<\/strong> Humphrey Searle<\/p>

Production company:<\/strong> Argyle Enterprises<\/p>

UK release date: <\/b>9 January 1964<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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While on a routine exercise in the Scottish Highlands, a squad of soldiers are drawn into a fight for the lives against a family of werewolves…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sean Pertwee<\/strong> as Sergeant Harry G. Wells
Kevin McKidd<\/strong> as Private Lawrence Cooper
Emma Cleasby<\/strong> as Megan
Liam Cunningham<\/strong> as Captain Richard Ryan
Darren Morfitt<\/strong> as Private Phil ‘Spoon’ Witherspoon
Chris Robson<\/strong> as Private Joe Kirkley
Leslie Simpson<\/strong> as Private Terry Milburn
Thomas Lockyer<\/strong> as Corporal Bruce Campbell<\/p>

Written by<\/strong> Neil Marshall
Produced by<\/strong> Christopher Figg, Tom Reeve & David E. Allen
Cinematography by<\/strong> Sam McCurdy
Edited by<\/strong> Neil Marshall
Music by<\/strong> Mark Thomas<\/p>

Production companies:<\/strong> Kismet Entertainment Group, The Noel Gay Motion Picture Company, Victor Film Company, Carousel Picture Company<\/p>

UK release date: <\/b>10 May 2002<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Dog Soldiers<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2002 \/ Neil Marshall<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tWhat makes Dog Soldiers really special is how unashamedly British it is. The manner in which the squad tease and torment each other is classic British man friendship. Their realistic dynamic is vital to the piece. If the audience doesn\u2019t buy them as a team, they can\u2019t invest in the drama that comes later. Marshall takes his time getting to the really fun stuff. The bulk of the first hour of the film is spent with the men. There\u2019s the occasional flurry of action and violence, but much of this first half is character and mood building. When Marshall does let loose, he throws everything he can at the screen and the result is thrilling to experience.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Neil Marshall's bloody and ballsy horror comedy is a delightful riot of a thing, unrelentingly violent and hilarious. It's endlessly quotable, full of giddy scares and full of loveable characters. The werewolves are great too.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Quatermass and the Pit<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1967 \/ Roy Ward Baker<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A film with everything from aliens to demonic possession and folklore. All of British horror rolled up into a single delicious film.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'This is the pinnacle of British horror for me - an intelligent, nuanced, and frightening reflection on humanity's capacity for violence and savagery. The fact that the supposed villains of the piece - the Martians - are nothing more than desiccated and long dead bodies, and yet their influence remains so powerful, is brilliant.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'My favourite Hammer which feels more \u2018grown up\u2019 than the usual camp Gothic horrors from the studio. Andrew Kier is in fine form as the driven but moralistic Professor. Love the folk horror elements and the post war London where the shadow of World War II still lingers.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Prehistoric skeletons are discovered alongside an unexploded bomb during an expansion of the London Underground. When a further skull is found inside the bomb, Professor Bernard Quatermass suspects it to be a craft of alien origin…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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James Donald<\/strong> as Doctor Roney
Andrew Keir<\/strong> as Professor Bernard Quatermass
Barbara Shelley<\/strong> as Barbara Judd
Julian Glover<\/strong> as Colonel Breen
Edwin Richfield<\/strong> as the Minister<\/p>

Written by<\/strong> Nigel Kneale, based on Quatermass and the Pit<\/em> by Nigel Kneale
Produced by<\/strong> Anthony Nelson Keys
Cinematography by<\/strong> Arthur Grant
Edited by<\/strong> Spencer Reeve
Music by<\/strong> Tristram Cary<\/p>

Production companies:<\/strong> Seven Arts Productions & Hammer Film Productions<\/p>

UK release date: <\/b>9 November 1967<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mark Lewis, a film crew member and part-time photographer of sordid images, has designs on becoming a filmmaker himself, with a burgeoning collection of home recording capturing fear at the point of death…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Karlheinz ‘Carl’ Boehm<\/strong> as Mark Lewis
Anna Massey<\/strong> as Helen Stephens
Moira Shearer<\/strong> as Vivian
Maxine Audley<\/strong> as Mrs Stephens
Brenda Bruce<\/strong> as Dora<\/p>

Written by<\/strong> Leo Marks
Produced by<\/strong> Michael Powell
Cinematography by<\/strong> Otto Heller
Edited by<\/strong> Noreen Ackland
Music by<\/strong> Brian Easdale<\/p>

Production company:<\/strong> Michael Powell (Theatre)<\/p>

UK release date: <\/b>7 April 1960<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Peeping Tom<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1960 \/ Michael Powell<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Notoriety has both plagued and served the myth of this film. But view it for what it is. A fable and a Bluebeard story set in film and about film, almost as an in-joke about the obsession of the filmmaker and the audience alike. The punchline is as cutting as it is bitter.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Not every film can claim to have birthed a genre, but Peeping Tom's positioning of the viewer behind the camera, placing the victim in their eye-line as well as identifying with the killer was a radical move. The film's switches between more conventional old-style set shooting and the first person camera still feel fresh today.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\n'The proto slasher that ended Michael Powell's career deserves every ounce of the reappraisal it's earned since its release. Not only is Mark Lewis a terrifying villain, but he prowls within a masterpiece of filmmaking. You would be hard pressed to find a more fitting and well-executed combination of story and meaning in all of cinema, before or since.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Shaun of the Dead<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2004 \/ Edgar Wright<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tAnother horror comedy, and one that gets everything right. It follows the established beats, but still manages to feel surprising. The cast is wonderful, calling on some of the best of British comedy and drama performers of the time, and the passionate direction shows that this comes from a place of real love. Obviously double bill with Hot Fuzz.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tNo explanation necessary, is there? The film is so at the top of its game that it launched a new wave of British talent both in front and behind the camera; a wave that the UK is still riding high today. We all owe this film a lot, plus it helps that it is fantastic too!\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Listless thirty-something Shaun realises he has to rise to the occasion to save himself, his mum, and his friends after a zombie outbreak…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Simon Pegg<\/strong> as Shaun
Nick Frost<\/strong> as Ed
Kate Ashfield<\/strong> as Liz
Lucy Davis<\/strong> as Dianne
Dylan Moran<\/strong> as David
Penelope Wilton<\/strong> as Barbara
Bill Nighy<\/strong> as Philip<\/p>

Written by<\/strong> Simon Pegg & Edgar Wright
Produced by<\/strong> Nira Park
Cinematography by<\/strong> David M. Dunlap
Edited by<\/strong> Chris Dickens
Music by<\/strong> Pete Woodhead & Daniel Mudford<\/p>

Production companies:<\/strong> Studio Canal, WT\u00b2 Productions, Big Talk Productions<\/p>

UK release date: <\/b>9 April 2004<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Duke De Richleau battles a devil-worshipping cult led by the sinister Mocatu in Hammer’s adaptation of Dennis Wheatley’s 1934 novel…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Christopher Lee<\/strong> as Nicholas, Duc de Richleau
Charles Gray<\/strong> as Mocata
Nik\u00e9 Arrighi<\/strong> as Tanith Carlisle
Leon Greene<\/strong> as Rex Van Ryn (dubbed by Patrick Allen)
Patrick Mower<\/strong> as Simon Aron
Gwen Ffrangcon-Davies<\/strong> as Countess d’Urfe
Sarah Lawson<\/strong> as Marie Eaton
Paul Eddington<\/strong> as Richard Eaton<\/p>

Screenplay by<\/strong> Richard Matheson, based on The Devil Rides Out <\/em>by Dennis Wheatley
Produced by<\/strong> Anthony Nelson Keys
Cinematography by<\/strong> Arthur Grant
Edited by<\/strong> Spencer Reeve
Music by<\/strong> James Bernard<\/p>

Production companies:<\/strong> Hammer Film Productions, Seven Arts Productions<\/p>

UK release date: <\/b>20 July 1968<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1968 \/ Terence Fisher<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'It seems to be a picture where absolutely everything came together to create a unique, frightening motion picture, leading to the 'satanic panic' trend through the 1970s. Hammer at the top of its game.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'For the sheer power and intensity of the battle of good vs evil, light vs dark, almost no film has bettered this. The absolute magnetism of Christopher Lee and Charles Gray drive a film that delivers as an occult thriller as much as horror.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Theatre of Blood<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1973 \/ Douglas Hickox<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tPrice\u2019s customary eye-rolling technique works a treat here, and there are great post-Avengers roles for both Ian Hendry and Diana Rigg, while the supporting cast is a who\u2019s who of wondrous British character actors.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tAn absolute hoot and totally understandable that Vincent Price regarded it as his favourite film. This is a brilliantly pitched OTT horror-comedy that manages to be camp, revolting, and tragic simultaneously.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tShakespeare was, in many ways, a terrific horror writer - and this sardonic masterwork gives ample proof. A revenge tragedy with tongue lodged firmly in its cheek, it has unexpected pathos and sympathy (for its ham actor protagonist and his kin, but also, in a pitiful sense, for their victims, all played by so fine a troupe of actors it's almost an embarrassment) and it finally gives Vincent Price the stage he always richly deserved. His performance (all the Shakespeare villains in 90 minutes) makes \"tour de force\" sound like mild praise.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Humiliated by critics, thespian Edward Lionheart plots a Shakespearian demise for each for failing to acclaim his genius…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vincent Price<\/strong> as Edward Lionheart
Diana Rigg<\/strong> as Edwina Lionheart
Ian Hendry<\/strong> as Peregrine Devlin
Harry Andrews<\/strong> as Trevor Dickman
Robert Coote<\/strong> as Oliver Larding
Michael Hordern<\/strong> as George Maxwell
Robert Morley<\/strong> as Meredith Merridew<\/p>

Written by<\/strong> Anthony Greville-Bell,
Stanley Mann & John Kohn
Produced by<\/strong> Gustave Berne, Sam Jaffe, John Kohn & Stanley Mann
Cinematography by<\/strong> Wolfgang Suschitzky
Edited by<\/strong> Malcolm Cooke
Music by<\/strong> Michael J. Lewis<\/p>

Production companies:<\/strong> Harbour Productions Limited, Cineman Productions<\/p>

UK release date: <\/b>7 June 1973<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Following a tragic accident a year earlier, six friends meet for a potholing adventure but soon discover they are not alone in the dark…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Shauna Macdonald<\/strong> as Sarah Carter
Natalie Mendoza<\/strong> as Juno Kaplan
MyAnna Buring<\/strong> as Samantha ‘Sam’ Vernet
Saskia Mulder<\/strong> as Rebecca Vernet
Alex Reid<\/strong> as Elizabeth ‘Beth’ O’Brien
Nora-Jane Noone<\/strong> as Holly Mills
Oliver Milburn<\/strong> as Paul Carter
Molly Kayll<\/strong> as Jessica Carter<\/p>

Written by<\/strong> Neil Marshall
Produced by<\/strong> Christian Colson
Cinematography by<\/strong> Sam McCurdy
Edited by<\/strong> Jon Harris
Music by<\/strong> David Julyan<\/p>

Production companies:<\/strong> Celador Films, Northmen Productions<\/p>

UK release date: <\/b>8 July 2005<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2005 \/ Neil Marshall<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Survivors guilt, the fierceness of motherhood, and the portrayal of women as more than soft and vulnerable creatures to be chased make for a claustrophobic and cathartic creature feature. The ending is everything.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The Descent is a white-knuckle scare ride from open to close. A cautionary tale as to why thrill sports such as caving should not be participated in, complete with a plethora of heart-stopping jump scares.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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28 Days Later<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2002 \/ Danny Boyle<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A brutal and brilliant resurrection of the zombie genre, Danny Boyle and Alex Garland crafted a shocker which has retained its power over 20 years on and in the face of numerous ripoffs.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Danny Boyle took the shambling zombie movie and injected pace, making a fantastic combination. Cillian Murphy is great as Jim, coming to in a world of killers. The fast paced editing works well with the chaotic chase and fight scenes within the movie.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Waking from a coma, Jim discovers a London devoid of life. However, following a violent encounter, he discovers that much of the population have been infected with a ‘rage’ virus and so begins the fight to stay alive…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Cillian Murphy<\/strong> as Jim
Naomie Harris<\/strong> as Selena
Brendan Gleeson<\/strong> as Frank
Megan Burns<\/strong> as Hannah
Christopher Eccleston<\/strong> as Major Henry West
Noah Huntley<\/strong> as Mark<\/p>

Written by<\/strong> Alex Garland
Produced by<\/strong> Andrew Macdonald
Cinematography by<\/strong> Anthony Dod Mantle
Edited by<\/strong> Chris Gill
Music by<\/strong> John Murphy<\/p>

Production companies:<\/strong> DNA Films & UK Film Council<\/p>

UK release date: <\/b>1 November 2002<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Blood on Satan's Claw<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1971 \/ Piers Haggard<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tStill authentically weird and disturbing in a way that few horror films manage to be. There's a streak of perverse eroticism running through the core of it - embodied by Linda Hayden in her outstanding performance as the corrupted and sadistic teen Angel Blake - that runs counter to the usual trend towards buttoned-up stuffiness that is endemic in British horror (especially in comparison to its European counterparts) and helps to make this one stand out all the more.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'For all its controversies and looseness of plotting this is, for me, the very best of British folk horror fare. The queasy musical score - which is one of the very best in the whole horror genre - the slightly delirious meandering of the narrative, the particular intensity of the performances, the deceptive beauty of the landscape, all of these combine into something mesmerising.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Patrick Wymark<\/strong> as The Judge
Linda Hayden<\/strong> as Angel Blake
Barry Andrews<\/strong> as Ralph Gower
Michele Dotrice<\/strong> as Margaret
Wendy Padbury<\/strong> as Cathy Vespers
Anthony Ainley<\/strong> as Reverend Fallowfield
Charlotte Mitchell<\/strong> as Ellen<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Written by<\/strong> Robert Wynne-Simmons & Piers Haggard
Produced by<\/strong> Malcolm B. Heyworth & Peter L. Andrews
Cinematography by<\/strong> Dick Bush
Edited by<\/strong> Richard Best
Music by<\/strong> Marc Wilkinson<\/p>

Production companies:<\/strong> Tigon British Film Productions, Chilton Film and Television Enterprises<\/p>

UK release date: <\/b>16 July 1971<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hellraiser<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1987 \/ Clive Barker<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Whilst Pinhead and the Cenobites may have been who initial audiences clung to and feared, it is actually Julia who turns the blood cold. She\u2019s the ultimate wicked step-mother, and one of the few horror antagonists that are female. The cruel and oddly calm nature of the Cenobites was at odds with other horror monsters of the time, Pinhead almost a civilised gentleman when compare to Freddy, Jason and Michael.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'I remember being in awe, not just at what an imaginative enough film team *could* do, but what they were *willing* to do to bring their visions to the screen. The first time I saw the film, it was on a crackly VHS tape with fuzzy interference and tracking lines and I can't help but think it made the experience that much more visceral. Clive Barker's work is brutal, it's vicious, and it shows an originality that few have even come close to achieving.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Clare Higgins<\/strong> as Julia Cotton
Ashley Laurence<\/strong> as Kirsty Cotton
Andrew Robinson<\/strong> as Larry Cotton
Sean Chapman<\/strong> as Frank Cotton
Robert Hines<\/strong> as Steve
Doug Bradley<\/strong> as Lead Cenobite
Nicholas Vince<\/strong> as Chattering Cenobite
Simon Bamford<\/strong> as Butterball Cenobite
Grace Kirby<\/strong> as Female Cenobite<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sc<\/strong>reenplay by<\/b> Clive Barker, based on The Hellbound Heart <\/i>by Clive Barker
Produced by<\/strong> Christopher Figg
Cinematography by<\/strong> Robin Vidgeon
Edited by<\/strong> Richard Marden & Tony Randel
Music by<\/strong> Christopher Young<\/p>

Production company:<\/strong> Film Futures<\/p>

UK release date: <\/b>10 September 1987<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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An American Werewolf in London<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1981 \/ John Landis<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A film that in lesser hands, would have been a straight horror, but Landis' masterful writing and direction makes our experience utterly frightening and wickedly funny in equal measure. Would have been higher on my list but I always felt the ending was too abrupt.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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David Naughton<\/strong> as David Kessler
Jenny Agutter<\/strong> as Nurse Alex Price
Griffin Dunne<\/strong> as Jack Goodman
John Woodvine<\/strong> as Dr. J. S. Hirsch
Don McKillop<\/strong> as Inspector Villiers
Frank Oz<\/strong> as Mr Collins<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Horrified's essay on An American Werewolf in London<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Written by<\/strong> John Landis
Produced by<\/strong> George Folsey Jr.
Cinematography by<\/strong> Robert Paynter
Edited by<\/strong> Malcolm Campbell
Music by<\/strong> Elmer Bernstein<\/p>

Production companies:<\/strong> PolyGram Pictures, The Guber-Peters Company<\/p>

UK release date: <\/b>21 August 1981<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dracula<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1958 \/ Terence Fisher<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'An absolute classic. The best depiction of the Count ever put to screen.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A bit of an obvious choice, but this is where my love of horror began, so it\u2019s a must. Still Pete n Chris\u2019s best movie together, and that last scene remains as exciting as anything Hammer ever produced.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tThe Curse of Frankenstein and too many worthy Hammer horrors to mention here aside, this is the one where the Hammer formula is perfected. Gothic, sex, sets, music, and Peter Cushing fighting Christopher Lee to the death in the best vampire demise ever to burn through the silver screen. What's not to love?\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tPerhaps the best confrontation between the two heavyweights of British horror, Lee and Cushing. The explosive, action-packed and dynamic conclusion to this highly economic retelling of Stoker\u2019s classic vampire story, surely cemented Hammer as the masters of the horror film in the late 50s and 60s. It\u2019s easy to forget how modern, lurid and shocking these films were when first shown in cinemas of the period.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Peter Cushing<\/strong> as Doctor Van Helsing
Christopher Lee<\/strong> as Count Dracula
Michael Gough<\/strong> as Arthur Holmwood
Melissa Stribling<\/strong> as Mina Holmwood
Carol Marsh<\/strong> as Lucy Holmwood
John Van Eyssen<\/strong> as Jonathan Harker<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Screenplay by <\/b>Jimmy Sangster, based on Dracula<\/i> by Bram Stoker
Produced by<\/b> Anthony Hinds
Cinematography by <\/b>Jack Asher
Edited by <\/b>Bill Lenny
Music by<\/b> James Bernard<\/p>

Production company:<\/b> Hammer Film Productions<\/p>

UK release date: <\/b>21 May 1958<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2011 \/ Ben Wheatley<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\tWhile I think one of the more 'classic' British horror films will probably take this, Kill List is the best example of a modern British horror film. Clearly indebted to a British horror history while also capturing an underlying rage at a cultural, social and political scene - this is rattling, fittingly brutal stuff.\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'As a general rule, I'm a big Ben Wheatley fan, but Kill List is certainly his best. Drawing on British folk horror traditions, Wheatley crafts a mystery that feels like a procedural, uncovering small but minor disturbances or a sense of wrongness, until the curtain is yanked back for the climax, letting all that came before it to click into place.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Neil Maskell<\/strong> as Jay
Michael Smiley<\/strong> as Gal
MyAnna Buring<\/strong> as Shel
Emma Fryer<\/strong> as Fiona
Harry Simpson<\/strong> as Sam
Struan Rodger<\/strong> as The Client
Ben Crompton<\/strong> as Justin<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Written by<\/strong> Ben Wheatley & Amy Jump
Produced by<\/strong> Claire Jones & Andy Starke
Cinematography by<\/strong> Laurie Rose
Edited by<\/strong> Robin Hill, Ben Wheatley & Amy Jump
Music by<\/strong> Jim Williams<\/p>

Production companies:<\/strong> Warp X, Rook Films, Film4 Productions, UK Film Council, Screen Yorkshire<\/p>

UK release date: <\/b>2 September 2011<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1945 \/ various<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The stability and security of a comfortable middle-to-upper class gathering gives way to stories revealing the fears and encounters with death, kept below the surface. While it deserves praise for being the basis for every single anthology horror since, it also features another element that would also become important. A lead character who finds themselves trapped in a reality that has decided to victimise them for no reason.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A portmanteau film showing the brilliance of Ealing studios. Michael Redgrave's performance is suitably chilling, and the final twist gives me shivers every time.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A landmark British film and still a landmark horror. The portmanteau format was oft emulated but never bettered, and the same holds for its ending - the trope maker for horror as a cinematic nightmare.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The best horror anthology ever made,. The ventriloquist's dummy segment is the most famous, the mirror segment the scariest, the golf segment is genuinely quite funny. None out stay their welcome, and the cyclical conclusion fits the nightmarish tone perfectly.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Michael Redgrave<\/strong> as Maxwell Frere
Mervyn Johns<\/strong> as Walter Craig
Frederick Valk<\/strong> as Dr van Straaten
Roland Culver<\/strong> as Eliot Foley
Basil Radford<\/strong> as George Parratt
Naunton Wayne<\/strong> as Larry Potter
Ralph Michael<\/strong> as Peter Cortland
Anthony Baird<\/strong> as Hugh Grainger
Michael Allan<\/strong> as Jimmy Watson
Sally Ann Howes<\/strong> as Sally O’Hara
Ralph Michael<\/strong> as Peter Cortland<\/p>

\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Screenplay by<\/strong> John Baines & Angus MacPhail, based on stories
by H.G. Wells, John Baines, E.F. Benson & Angus MacPhail
Produced by<\/strong> Michael Balcon
Cinematography by<\/strong> Douglas Slocombe & Jack Parker
Edited by<\/strong> Charles Hasse
Music by<\/strong> Georges Auric<\/p>

Production company:<\/strong> Ealing Studios<\/p>

UK release date: <\/b>9 September 1945<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Innocents<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1961 \/ Jack Clayton<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'The psychological haunted house film par excellence. Truman Capote's script pares down some of the rich ambiguity of the Henry James novella but creates a terrifically effective film out of it and, with the aid of some of Freddie Francis' most extraordinary camera work, the result is an all-time classic.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Here's a case where a genuine literary masterpiece was made even better by its adaptation. The Henry James novella is the greatest ghost story ever written, but this film improves on it. At first glance, it may seem to be going too easily down the route of the then-fashionable Freudian interpretation of the book, in which it's all the fault of a neurotic Governess merely imagining ghosts, but the silent, baleful presence of the ghosts here is hard to dismiss so easily.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Deborah Kerr<\/strong> as Miss Giddens
Michael Redgrave<\/strong> as The Uncle
Peter Wyngarde<\/strong> as Peter Quint
Megs Jenkins<\/strong> as Mrs Grose
Martin Stephens<\/strong> as Miles
Pamela Franklin<\/strong> as Flora
Clytie Jessop<\/strong> as Miss Mary Jessel
Isla Cameron<\/strong> as Anna<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Screenplay by<\/strong> William Archibald, Truman Capote & John Mortimer, based on The Turn of the Screw<\/em> by Henry James
Produced by<\/strong> Jack Clayton
Cinematography by<\/strong> Freddie Francis
Edited by<\/strong> Jim Clark
Music by<\/strong> Georges Auric<\/p>

Production companies:<\/strong> Achilles Film Productions, 20th Century Fox<\/p>

UK release date: <\/b>24 November 1961<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Don't Look Now<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1973 \/ Nicolas Roeg<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'It doesn't draw any sharp jump scares or shocking imagery, but it's hard to explain the deeply unsettling feeling this film is able to instil. Absolute top-notch performances by all involved, Don't Look Now plays its hand coolly, never giving up much until absolutely necessary and then hammering us with an unforgettable left hook that may be one of the greatest conclusions in the history of horror cinema.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'One of the first films I remember playing out like a conventional horror only to subvert everything and send you off down the dark canals of Venice with a true sense of danger and unease. Nicolas Roeg was a master craftsman and Don't Look Now really shows it.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A film that uses cinema - edits and montage - to craft its horror. For the longest time, you are only aware of its tragedy and eeriness, augmented in no little degree by the decadent, crumbling setting of Venice in winter. But the film stalks you, in darkness, in fate, and in a red hood.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Julie Christie<\/strong> as Laura Baxter
Donald Sutherland<\/strong> as John Baxter
Hilary Mason<\/strong> as Heather
Clelia Matania<\/strong> as Wendy
Massimo Serato<\/strong> as Bishop Barbarrigo
Renato Scarpa<\/strong> as Inspector Longhi<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Screenplay by<\/strong> Allan Scott & Chris Bryant, based on Don’t Look Now<\/em> by Daphne du Maurier
Produced by<\/strong> Peter Katz
Cinematography by<\/strong> Anthony Richmond
Edited by<\/strong> Graeme Clifford
Music by<\/strong> Pino Donaggio<\/p>

Production companies:<\/strong> Casey Productions, Eldorado Films<\/p>

UK release date: <\/b>16 October 1973<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Night of the Demon<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1957 \/ Jacques Tourneur<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'A blending of ghost story, demonic cult and suggestive horror picture in the Val Lewton tradition. For the longest time you don't see anything and are still scared out of your wits. By the end, it's almost unbearable. You're so convinced the hero won't make it that the - mercifully brief - shot of the monster comes as a welcome catharsis: it's only a movie, and all will be well.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Witchcraft and Englishness go hand-in-hand and it led me onto Val Lewton. The film plays straight without histrionics which does it credit. The demon riding the train is iconic.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dana Andrews<\/strong> as Dr John Holden
Peggy Cummins<\/strong> as Joanna Harrington
Niall MacGinnis<\/strong> as Dr Julian Karswell
Athene Seyler<\/strong> as Mrs Karswell
Liam Redmond<\/strong> as Professor Mark O’Brien
Peter Elliott<\/strong> as Professor Kumar
Maurice Denham<\/strong> as Professor Harrington<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Screenplay by<\/strong> Charles Bennett & Hal E. Chester, based on Casting the Runes<\/em> by M. R. James
Produced by<\/strong> Frank Bevis & Hal E. Chester
Cinematography by<\/strong> Ted Scaife
Edited by<\/strong> Michael Gordon
Music by<\/strong> Clifton Parker<\/p>

Production company:<\/strong> Sabre Film Production<\/p>

UK release date: <\/b>November 1957<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Wicker Man<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1973 \/ Robin Hardy<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'It's the big daddy (or mother) of British horror. A transcendent performance from Christopher Lee, matched by Edward Woodward's committed portrayal of a man consumed by his faith. Funny, scary and vibrant, I cannot imagine how wonderful it would have been to see this on first release. The stories around the film are as fascinating as the work itself. A masterpiece.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'I travel for work, go to a lot of rural places. The Wicker Man is a documentary.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t'Quite simply the best British horror film ever made. Superbly crafted in every respect, and stays with you long after the final frame. For my generation and ones before, there was always an air of myth around the film because of the loss of certain scenes. Thank (the wicker) God for later restorations that helped us recapture the magic of this film for everyone in the future.'\t\t\t<\/p>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Edward Woodward<\/strong> as Sgt. Neil Howie
Christopher Lee<\/strong> as Lord Summerisle
Britt Ekland<\/strong> as Willow MacGregor
Annie Ross<\/strong> as Willow MacGregor (voice)
Lesley Mackie<\/strong> as Daisy
Diane Cilento<\/strong> as Miss Rose
Ingrid Pitt<\/strong> as Librarian
Lindsay Kemp<\/strong> as Alder MacGregor<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead Horrified's essay on The Wicker Man<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Screenplay by<\/strong> Anthony Shaffer
Produced by<\/strong> Peter Snell
Cinematography by<\/strong> Harry Waxman
Edited by<\/strong> Eric Boyd-Perkins
Music by<\/strong> Paul Giovanni<\/p>

Production company:<\/strong> British Lion Films<\/p>

UK release date: <\/b>6 December 1973<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Top 50 British horror films<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Want more? Read our<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Top 50 British horror films<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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(honourable mentions)<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Readers of Horrified have come together to choose their favourite British horror films, so here is the ultimate top 50 list of British horror films, as chosen by you….\u00a0<\/p>\n","protected":false},"author":1,"featured_media":125431,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"normal-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.horrifiedmagazine.co.uk\/wp-content\/uploads\/2023\/02\/horrordracula-e1675799489785.jpeg?fit=937%2C716&ssl=1","_links":{"self":[{"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/posts\/125429"}],"collection":[{"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/comments?post=125429"}],"version-history":[{"count":151,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/posts\/125429\/revisions"}],"predecessor-version":[{"id":128167,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/posts\/125429\/revisions\/128167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/media\/125431"}],"wp:attachment":[{"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/media?parent=125429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/categories?post=125429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horrifiedmagazine.co.uk\/wp-json\/wp\/v2\/tags?post=125429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}