[Review] The Show (2020)
Ellis Reed reviews The Show, Alan Moore’s screenwriting début, from the 2021 Arrow Video FrightFest. Mitch Jenkins directs…
Reviews
[Review] The Villa and The Vortex
William Brown reviews The Villa and The Vortex, an ‘exquisite’ new collection of Elinor Mordaunt’s classic weird fiction from Handheld Press…
[Review] Beneath the Trees (2019)
Mark Anthony Ayling reviews Beneath the Trees by Marco De Luca, which is now available to stream through the Sky Store and Amazon Prime…
Shadow Service by Cavan Scott & Corin M. Howell
Paul Gorman thoroughly enjoys Shadow Service, a ‘fast, gruesome, erudite and funny’ supernatural spy horror comic from Cavan Scott & Corin M. Howell…
[Review] The Midwife (2021)
Ellis Reed reviews The Midwife, a chilling indie horror by Ryan Gage and Marta Baidek, which recently appeared on Amazon Prime…
[Review] Harvest
Paul Gorman reviews Harvest, a superbly enjoyable graphic novel about occult practices in the English countryside, by Julian Payne and Zoe Elkins…
[Review] The Nameless
William Brown reviews The Nameless, the final entry in Luke Walker’s excellent and action-packed Nameless trilogy…
[Review] The Front Door
Ellis Reed reviews The Front Door, a darkly humorous short by Andrew Rutter…
[Review] The Crows
William J. Brown reviews C. M. Rosens’ ‘mind-boggling and surprising’ The Crows, the first novel in the Pagham-on-Sea series...
[Review] Paths Best Left Untrodden
Robert Welbourn reviews Paths Best Left Untrodden, a ‘brilliant’ and varied collection of short stories from Kev Harrison...