Horror: Helping to make sense of a senseless world
Alex Kronenburg looks at how horror, far from being a source of fear, helps us better understand the world around us (particularly in testing times)…
Here is where you’ll find all the British horror writing that doesn’t quite fit snugly under one style. It may feature British horror films but not be explicitly about them, or it may reference a particular British horror television programme while being about something else entirely. In short, this is where the other stuff lives. And it’s really good…
Alex Kronenburg looks at how horror, far from being a source of fear, helps us better understand the world around us (particularly in testing times)…
Graham Williamson ponders the curiously disruptive and surrealist cigarette advertising from the final decade of the twentieth century. Welcome to Weird ’90s…
Graham Williamson is back with his latest column entry. This time he dips his hand into a jar of Chris Morris’s Blue Jam, ‘a unique, intoxicating dissection of pre-millennial mores’. Welcome to Weird ’90s…
A tormented tangle of feathers, flowers and fate: Johnny Restall investigates the possessing patterns of Alan Garner’s The Owl Service…
Welcome to the latest Horrified…and loving it! column in which people share the British horror moments that terrify and thrill them the most. This time, TC explores the rite of passage that was The Encyclopedia of Horror…
In his latest column, Graham Williamson investigates David Bowie’s ‘quite astonishingly dark’ 1995 opus, 1.Outside. Welcome to Weird ’90s…
Lori Graham discusses more strange and disquieting experiences while visiting churches in Suffolk in her latest article for Horrified…
Welcome to the latest Horrified…and loving it! column in which people share the British horror moments that terrify and thrill them the most. This time, Anna Orridge explores the strange, unsolved mystery of Bella In The Wych Elm…
In his latest Weird ’90s column, Graham Williamson dissects the infamous 1995 Roswell alien autopsy film. Fake or fact? Welcome to Weird ’90s…
J.D. Collins dissects what makes Mark Gatiss’s BBC Horror documentaries so entertaining, and also how elements can be seen in his work…