[Review] Homebound (2021)
British horror Homebound, supported by the BFI and BBC Film, is the feature length debut of writer-director Sebastian Godwin…
ellis reed
The Borderlands (2013) Revisited
Ellis Reed returns to the 2013 British horror classic The Borderlands, a found footage film bringing fresh ideas (and scares) to the sub-genre…
Robots, Aliens, Monsters, and Surreal Trips: An interview with Terry Cooper
We talk to Terry Cooper about his forthcoming horror comedy, Bloody Students, which is now in development…
[Review] Dark Ditties Presents… Dad (2021)
The Dark Ditties gang serve up a zombie apocalypse with a supernatural twist. Ellis Reed reviews Dad, their fifth production…
[Review] Zomblogalypse
A decade on, the cult web show returns as a big screen feature. Ellis Reed reviews the Zomblogalypse movie and catches up with the filmmakers…
[Review] Evie (2021)
Ellis Reed reviews Evie by Dominic Brunt and Jamie Lundy, which premièred at the 2021 Arrow Video FrightFest…
[Review] Global Horror Cinema Today: 28 Representative Films from 17 Countries
Ellis Reed reviews Global Horror Cinema Today – John Towlson’s representative ‘snapshot’ of the genre – and interviews the author for Horrified…
[Review] You’ve Got Red on You: How Shaun of the Dead Was Brought to Life
Ellis Reed reviews You’ve Got Red on You: the forthcoming book about the making of 2004’s Shaun of the Dead, written by Entertainment Weekly’s Clark Collis…
[Review] The Show (2020)
Ellis Reed reviews The Show, Alan Moore’s screenwriting début, from the 2021 Arrow Video FrightFest. Mitch Jenkins directs…
[Review] The Midwife (2021)
Ellis Reed reviews The Midwife, a chilling indie horror by Ryan Gage and Marta Baidek, which recently appeared on Amazon Prime…